禹权恒. 乡村挽歌与身份迷失——解读梁鸿的非虚构文学《中国在梁庄》《出梁庄记》[J]. 《信阳师范学院学报(哲学社会科学版)》, 2018, 38(1): 104-108.
引用本文: 禹权恒. 乡村挽歌与身份迷失——解读梁鸿的非虚构文学《中国在梁庄》《出梁庄记》[J]. 《信阳师范学院学报(哲学社会科学版)》, 2018, 38(1): 104-108.
YU Quanheng. Country Elegy and Identity LostInterpretation of liang hongs non-fiction literature "China in[J]. The journal of xinyang normal university (philosophy and social science edition), 2018, 38(1): 104-108.
Citation: YU Quanheng. Country Elegy and Identity LostInterpretation of liang hongs non-fiction literature "China in[J]. The journal of xinyang normal university (philosophy and social science edition), 2018, 38(1): 104-108.

乡村挽歌与身份迷失——解读梁鸿的非虚构文学《中国在梁庄》《出梁庄记》

Country Elegy and Identity LostInterpretation of liang hongs non-fiction literature "China in

  • 摘要: 梁鸿是中国当代非虚构文学创作领域的重要作家,其代表作《中国在梁庄》《出梁庄记》具有典型的非虚构特征。“梁庄”是中国社会转型期乡村现实的直接表征,也寄寓着作者对乡土中国社会病症的深层思考。乡民通过“扯秧子”的基本方式进入城市谋生,身份迷失和精神痛苦成为他们永远难以抹掉的印记。“纪实”和“虚构”作为一种“矛盾共同体”,已经有效融入梁鸿的非虚构文学创作过程中,其利弊得失值得进一步探究。

     

    Abstract: LIANG hong is an important writer in the field of non-fiction literature in contemporary China.His representative work, "China in LIANG zhuang" "the making of LIANG zhuang" has typical non-fiction characteristics. "LIANG zhuang" is a direct representation of rural reality in Chinaapos;s social transition period, and also conveys the authorapos;s deep thinking about the social conditions of Chinese society.Rural peasants enter the city in the basic way of " pulling the seedlings" to make a living,and the identity loss and mental anguish become their indelible mark. As an"contradictory community","documentary" and "fiction" have been effectively integrated into LIANG hongapos;s non-fiction literary creation process,and its advantages and disadvantages deserve further exploration.

     

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