由人性之爱到神性之爱——从《莎乐美》和《道连·葛雷的画像》看王尔德的宗教观

The Change from Human Love to Divine Love——On Wilde’s Religion Concept in Salome and The Picture of

  • 摘要: 王尔德的戏剧《莎乐美》和小说《道连·葛雷的画像》被认为是其唯美主义的代表作。这两部作品中人性与神性的紧张冲突与对立,折射出作家隐藏于写作背后的宗教信仰困惑与焦虑:一方面,作为唯美主义者,王尔德向往古希腊文化中肉体的崇拜与感官享受;另一方面,他又对基督文化中强大的宗教道德力量深感恐惧。而王尔德对这两部作品结局的处理则表明,他最终抛弃了对希腊多神教的信仰,转向了公正、悲悯、宽容的耶稣基督以寻求救赎

     

    Abstract: Wilde’s drama Salame and his novel The Picture of Dorian Gray are considered as the master works of Aestheticism,in which the critical contradictions and conflicts between Divinity and Human nature demonstrate the author’s religious perplexity and anxiety hidden in his writing.On the one hand,as an aesthete,Wilde yearned for the fleshy worship and voluptuousness in ancient Greek culture;on the other hand,he was extremely worried about the mighty religious moral strength in Christ culture.But Wil...

     

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