大沼枕山对白居易诗歌的接受

Reception of Bai Juyi’s Poetry by ōnuma Chinzan

  • 摘要: 日本近世后期随着以古文辞学派为代表的拟唐、拟明诗风的衰颓,平明浅近的诗风藉此气运重现抬头之势,此前一直不受江户诗坛重视的白居易诗歌因此成为诗家的模仿对象,而在幕末诗坛有着重要影响力的大沼枕山便是其中之一。他对白诗的吸收并不局限于和韵等常见形式,更是在深刻理解白诗的基础上积极摄取其创作技法,将日本本土传说故事整合于歌行体诗歌中,实现了汉诗的日本化,这其实也表明了江户后期诗坛接受白诗的成熟情况。

     

    Abstract: In early modern Japan,as the Ancient Rhetoric School gradually lost its popularity,the poetic style imitating Tang and Ming Dynasty poetry began to give way to a new style of simplicity.Bai Juyi’s poetry,which had been ignored by the poetic circles of Edo for a long time,now became a model for various poets,among which ōnuma Chinzan of the late Tokugawa Shogunate was a typical example.ōnuma Chinzan,not only using the same rhyme sequence,but also trying to absorb Bai Juyi’s poetic techniques on t...

     

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