Abstract: "The Great Liberation in Poetic Form"in 1919 produces a new genre,namely,New Poetry,but in this period some poets and critics starts to affirm the value of prosody,which shows a contrary attitude toward prosodic liberation. The return of prosodic value,actually,on the one hand,results from the composing reality of New Poetryit has more defects and roughs in representation and form, which arouse critics calling prosody; on the other hand,results from a new reflection on prosodysome critics recognize that prosody is the essential element of poetry,and it is in favour of expression of emotion. The return of prosodic value in this stage,however,can not be viewed as to tonal patterns,it is the preparatory arrangement for the notion of meter entering into Chinese poetry and poetics.