论道家语境下《聊斋志异》的“天放”意识
On the Thought of "Liberating Nature" of Strange Tales of a Lonely Studio in the Context of Taoism
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摘要: 在明末清初儒、道、释融合的大背景下,道家文化对蒲松龄《聊斋志异》形象塑造产生了深刻的影响。蒲松龄从同情弱势群体、反抗黑暗势力的立场出发,把社会底层作为关注对象,借助于鬼狐世界的浪漫想象和寄情意象的叙述方式,在笔下一系列栩栩如生的人物身上,寄托了崇尚自然天性的"天放"思想,表达了作者愤世嫉俗的思想感情和返璞归真的生活理想。Abstract: Under the great background of the integration of Confucianism, Taoism and Buddhism during the period between the late Ming Dynasty and the early Qing Dynasty,the Taoism culture had a great influence on the images in "Strange Tales of a Lonely Studio".From the standpoint of sympathizing the weak group and revolting the wicked power,the writer focused on the grass-roots community.By his romantic imagination about ghosts and foxes and narrating way of conveying emotional sustenance in the images and by vivid f...
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