“第六代”导演的社会地理学“镜像”——以《暖》、《世界》、《青红》为例

The Sixth Generation Director

摘要: 以王小帅、霍建起和贾樟柯等为代表的“第六代”导演,用厚重的成绩证明了自己在中国影坛的地位。他们的作品不约而同地讲述了城乡的二元对立和城市引力下心灵的失重。这种对城市与乡村关系的集体关注,使他们的作品具有了社会地理学的文化意蕴。他们在消费时代的全球化语境里,坚决地树立起批判的姿态,深刻体察中国社会的现代性焦虑,努力寻找最妥帖、最顺畅的电影语言来叙述中国,改变着中国影坛的文化生态。

Abstract: The representative of the sixth generation directors such as Wang Xiaoshuai,Huo Jianqi and Jia Zhangke,proved their positions in Chinese film circles with their good achievements.Their works all told the stories about the opposed relationship between the city and the village and the immigrants' weightlessness in their hearts effected by the city's function.This kind of collective concern to the relationship between the city and the village endowed their works cultural implication of the social geography.In ...