论《淮南子》的炎黄观——以神农、炎帝、黄帝形象为中心的考察

On the View of Yan and Huang in Huainanzi——An Investigation Centered on the Images of Shennong, Yan Emperor and Huang Emperor

  • 摘要: 《淮南子》是西汉前期融汇道家、儒家、阴阳五行家及诸子百家之学而成的综合性思想典籍。该书在继承先秦古史传说的基础上,依托五行宇宙图式与五方五帝结构,对神农、炎帝、黄帝三位人物形象进行了多重的塑造,并形成了独具时代特色的炎黄观。在《淮南子》中,神农与炎帝并非同一人,保持较为清晰的身份界限:神农是代表农耕、医药的人文始祖;炎帝则是被黄帝打败的部族首领,并归属于五方天帝系统,以南方火德之神的形象出现;黄帝既属于古帝王谱系,又属于五方天帝系统,兼具中央土德天帝、无为治国明君与文明制度创建者的多重身份。本文以《淮南子》文本为依据,在梳理原文记载的基础上,系统分析神农、炎帝、黄帝三者形象的异同,总结《淮南子》炎黄观的特点,并讨论其对后世炎黄观念整体发展的长期影响,进而揭示《淮南子》一书在炎黄文化发展演变过程中所具有的枢纽意义与历史地位。

     

    Abstract: Huainanzi is a comprehensive ideological classic compiled in the early Western Han Dynasty, integrating Taoism, Confucianism, Yin-Yang and Five Elements School, and the theories of various schools of thought. On the basis of inheriting the ancient historical legends of the pre-Qin period, relying on the Five Elements cosmic schema and the structure of the Five Directions and Five Emperors, this book has constructed multiple images of three figures: Shennong, Yan Emperor and Huang Emperor, and formed a view of Yan and Huang with unique characteristics of the times. In Huainanzi, Shennong and Yan Emperor are not the same person, maintaining a relatively clear identity boundary: Shennong is the ancestor of humanity representing agriculture and medicine; Yan Emperor is a tribal leader defeated by Huang Emperor, belonging to the system of the Five Emperors of the Five Directions, appearing as the god of fire virtue in the south; Huang Emperor belongs not only to the lineage of ancient emperors but also to the system of the Five Emperors of the Five Directions, with multiple identities as the central emperor of earth virtue, a wise ruler governing by non-action, and a founder of civilized systems. Based on the text of Huainanzi, this paper systematically analyzes the similarities and differences among the images of Shennong, Yan Emperor and Huang Emperor on the basis of sorting out the records in the original text, summarizes the characteristics of the view of Yan and Huang in Huainanzi, discusses its long-term impact on the overall development of the concept of Yan and Huang in later generations, and further reveals the pivotal significance and historical status of Huainanzi in the development and evolution of Yan and Huang culture.

     

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