载体·时空·节奏:论古诗词艺术歌曲的音乐美——以余慧承演唱的古诗词艺术歌曲为例

Carrier, Time and Space, Rhythm: On the Musical Beauty of Ancient Poetry Art Songs——Taking Yu Huicheng’s Performance as an Example

  • 摘要: 中国古诗词从诞生之初的“诗、乐”一体逐渐过渡分离为两种不同的艺术种类,最后到“诗、乐”的再次结合。当今作曲家也在不断探索如何让古诗词艺术更好地用音乐来表达,增加文辞的感染力。如何用音乐来表达诗词艺术,消除纯音乐的抽象性,使二者完美结合,于是诞生了大量的古诗词艺术歌曲。其中以中国民族声乐家余慧承教授为代表的演唱古诗词艺术歌曲在社会上引起了极大的反响,赢得了广泛的赞誉。通过对这个案例的分析发现,古诗词与音乐至少在声音载体、时空特性和节奏特质上呈现出某种相似性,进而达到最佳的审美状态。

     

    Abstract: The art of Chinese poetry has gradually transitioned and separated from the initial integration of "poetry and music" into two different art forms, and finally to the recombination of "poetry and music". Today’s composers are constantly exploring how to better express poetry and art through music, increase the infectiousness of language, and use music to express poetry and art, eliminate the abstraction of pure music, and make the two perfectly combined. As a result, a large number of ancient poetry and art songs have been created. Among them, ancient poetry and art songs represented by Professor Yu Huicheng’s performance have attracted high attention in society and won widespread praise. Through the analysis of this case, it was found that ancient poetry and music exhibit some similarities in terms of sound carrier, temporal and spatial characteristics, and rhythmic features, thus achieving the best aesthetic state.

     

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