空间生产视域下的三维虚拟空间美学特征研究
Aesthetic features of 3D Virtual Space Based on the perspective of Space Production
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摘要: 作为人类生存和意识活动的崭新载体,三维虚拟空间以电子设备终端为界面,以网络通信技术、虚拟现实技术、三维建模技术为支撑,突破了物理空间中重力学、结构力学的桎梏,呈现出虚拟性、流动性、跨媒介性、超链接性等空间特征,为空间美学释放出新的审美契机。三维虚拟空间的美学围绕空间的审美主体“人”去构建,通过“虚拟的身体”将审美主体的身体经验、感官摄取和情感投射转化为空间实践;深受科幻文化、互联网文化的影响,三维虚拟空间融合了技术崇拜与空间隐喻,指向知识和权力化的空间表象;互联网“去中心化”作为三维虚拟空间的社会性表征,实现了其在物质关系、生产关系和社会关系上对现实空间的变革与超越。“去中心化”引申出关于空间话语、空间权力、空间正义等空间自主性的探讨,使虚拟空间延展了空间美学反思和后现代审美批判。Abstract: As a new carrier of human survival and consciousness activities, 3D virtual space takes the terminal of electronic equipment as the interface and is supported by network communication technology, virtual reality technology and 3D modeling technology, breaking through the shackles of gravity and structural mechanics in physical space. It presents spatial characteristics such as virtuality, fluidity, cross-media and hyperlinked, releasing new aesthetic opportunities for spatial aesthetics. The aesthetics of 3D virtual space is constructed around the aesthetic subject “human”,and the physical experience, sensory intake and emotional projection of the aesthetic subject are transformed into spatial practice through the“virtual body”.Deeply influenced by science fiction culture and internet culture, the 3D virtual space integrates technological worship and spatial metaphor, pointing to the spatial representation of knowledge and power. Internet “decentralization”as a social representation of 3D virtual space has realized its transformation and transcendence of real space in terms of material relations,production relations and social relations.“Decentralization”extends the discussion of spatial autonomy such as spatial discourse, spatial power, and spatial justice, so that virtual space extends spatial aesthetic reflection and postmodern aesthetic criticism.