Abstract: LU Xun had a special affection for Soviet films in Shanghai, especially for the themes of war and revolution, social construction and adventure records. As a form of visual art, LU Xun believed that Soviet films did not only shed light on the true state of Soviet proletarian internationalism and social construction, but also played an important role in the development of Chinese left wing films. After all, LU Xun didn't visit the Soviet Union on the spot, and there must have been some misreading in imagining the Soviet Union based only on the partial picture sketched in the Soviet films. LU Xun's view of "insight" and "absence" was effectively embodied in his Soviet outlook.