《诗经》“兴”体的宗教源起及兴“隐”的审美特质

The Religious Origin of Xing in The Book of Songs and Its Veiled Aesthetic Characteristic

  • 摘要: 文章根据刘勰“比显兴隐”的论说,从托物言志、立象表意、含无限意蕴于言外等方面论证兴“隐”的特点,认为诗兴的起源为“巫兴”。兴的发展经历了从原始宗教时期的巫术祭祀仪式中的“巫兴”到诗歌之“兴”,再到魏晋审美自觉以后的审美之兴的历程。

     

    Abstract: According to Liu Xie's point that "Bi is plain while Xing is veiled", the thesis argues that Xing of Poetry is usually veiled in the following three aspects, including expressing emotions with objective things, images for expression, more meanings than the words. Meanwhile, the thesis traces the root of Xing to witchcraft. The development of Xing had experienced a course from witchcraft rites in the primitive religious period to Xing in The Book of Songs, and finally to the aesthetic appreciation of Xing after the beauty consciousness in Wei and Jin dynasties.

     

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