论司马迁的乐治思想

Comments on SIMA Qian's Music Governance Thoughts

  • 摘要: 在汉武帝大一统政治建设的背景下,司马迁受天人感应思想的影响,运用先秦音乐史料,建构了自己的乐治思想。有别于武帝当时“外儒内法”的政治思想,司马迁引“上古明王举乐为治”的事实,提出了乐治的观点,其思想是以“乐”为中心,以八书为构架而展开,概而言之:礼乐之道与天地通,上可以事宗庙,下可以变化黎庶;礼乐是古代明王为治的关键因素,其发生作用的次序是音和—人和—政和,故能和民心者可得天下,不能和民心者则亡国殒身。

     

    Abstract: Under the background of the unified political construction of Emperor Wu of Western Han Dynasty, SIMA Qian, influenced by the thoughts of Heaven-Human induction, constructed his own thoughts of music governance by using the historical materials of pre-Qin music. Different from Emperor Wu's political thoughts of "external Confucianism and internal law" at that time, SIMA Qian, citing the fact that the wise king in ancient times presented music as the governance, proposed the idea of music governance, which centered on music and developed with Eight Books as the framework. In short, the way of rites and music connects heaven and earth. Rites and music were the key factors for the reign of the wise king in ancient times. The order of their actions was the harmony of music, man and politics. Therefore, those who could win the hearts of the people could win the world; otherwise, they would perish.

     

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