论《金瓶梅》中的夫妻关系图景及其意义

The Picture of Husband-wife Relationship and Its Significance in Jin Ping Mei

  • 摘要: 《金瓶梅》中的夫妻关系,应置于晚明的“夫妻”言说语境中来理解。婚姻缔结的“论财”风尚、纵情性爱之风、儒家夫妇伦常的新动向以及《金瓶梅》源出之“母体”《水浒传》等,共同构成了《金瓶梅》夫妻关系叙事的晚明语境。基于此,《金瓶梅》构筑了边缘化的、财色化的和伦常视野下理想化的夫妻关系图景。其中蕴含着小说叙述者对“刑于寡妻,至于兄弟,以御于家邦”这一儒家伦理逻辑的“反语”式修辞,它委婉曲折地反映了晚明士人的家国忧思,也折射出小说家对伦常与人性的哲学思考,以及特定士人群体精神的颓废与流荡。

     

    Abstract: The relationship between husband and wife in Jin Ping Mei(The Golden Lotus) should be understood in the context of "husband and wife speech" in late Ming Dynasty. The "husband and wife" narrative context in Jin Ping Mei is constituted of the fashion of marriage on wealth and indulge in sex, the new trend of Confucian couple ethics as well as the Jin Ping Mei's original idea named Shui Hu Zhuan (Heroes of the Marshes) and so on. Based on this viewpoint, Jin Ping Mei constructs the marginalized, money and sexuality and ideal relationship from the perspective of couple ethics. That logically contains the narrator's idea of the Confucian ethics "irony" rhetoric, that is, "to be a role model for your wife, and as for the brothers, run the family and country well", revealing the scholars of the late Ming Dynasty concern family and country. At the same time, it also reflects the novelists' philosophical thoughts on ethics and human nature, and the spiritual decadence and fluidity of certain scholars as well.

     

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