自我形象的文学塑造——白桦20世纪80年代诗歌释读

A Literary Modeling of Self-Image——An Interpretation of Bai Hua's Poems in the 1980s

  • 摘要: 晚年的白桦一直生活在创伤的心理阴影以及由创伤带来的孤独状态中。因创伤和孤独而产生的复杂生命体验成为白桦后期所有文学创作最根本的推动因素。面对巨大的创伤和空前的孤独,白桦选择了对未来的信仰、对自我的重塑。于是,在他的诗歌中又出现了一个虽然历尽坎坷却依然对未来抱有强烈的信仰和期望的悲剧英雄形象。白桦在20世纪80年代的诗歌创作既可以看作是他对自我形象的一种文学建构,也可以视为一种不自觉的心理疗救的过程。

     

    Abstract: In the 1980s, Bai Hua hoped to get out of the shadow of psychological trauma of the real life, but in his literary creation, he never forgot it and chewed on it repeatedly. Trauma and the contradictory attitude towards trauma have become the most fundamental driving factors for all the literary creation of Bai Hua in his later years. Trauma has brought unprecedented loneliness to Bai Hua. This kind of loneliness is not only the alienation and isolation between people, but also the separation of ideas and ideals. On the one hand, Bai Hua chose to accept it, hoping to move from loneliness to resonance; on the other hand, he longed for understanding, and his desire for communication almost reached the point of begging. In the face of great trauma and unprecedented loneliness, Bai Hua chose to believe in the future and rebuild the image of him. Thus, a tragic hero image emerges in his works, who has strong beliefs and expectations for the future despite all the ups and downs. From the perspective of narrative psychology, Bai Hua's poetry creation in the 1980s can be regarded as an unconscious process of psychological healing.

     

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