植物书写与中原文化的隐喻方式——李佩甫“平原系列”小说述论

Plant Writing and Metaphorical Ways of Central Plains Culture——The Review of LI Peifu's “Plain Series” Novels

  • 摘要: 李佩甫是当代河南作家群中的代表人物之一。"植物书写"在《羊的门》《城的灯》《生命册》《平原客》等"平原系列"小说中都有鲜明呈现,它是李佩甫思考中原文化意蕴的重要切入点。在城乡二元对立的社会语境中,少数人历经磨难如愿逃离乡村,最后却沦为城市生存法则的奴隶。"平原叙事"构成了李佩甫小说的主要叙事方式。平原乡村的民间文化形态不仅具有自由自在性,而且还存在着藏污纳垢的典型特征,它们共同构成了中原文化传统的矛盾对立关系。

     

    Abstract: LI Peifu is one of the representative figures in the contemporary Henan writers. Plant writing is in vivid presentation in Sheep's Door, City Lights, Life Volume, The Book of the Plain Guest and many other works, which is the important point that LI Peifu thinks about the cultural implication of central plains. In the social context of the binary opposition between urban and rural areas, a few people fled the country as they wish, but ended up as a direct slave to the urban survival rule. "Plain narration" constitutes the main narrative mode of LI Peifu's novels. The folk culture form of the plain country not only has the freedom, but also has the obvious characteristics of the filth, which together constitute the contradictory opposite relation of the central plains cultural tradition.

     

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