胡南, 李敬民. “制器尚象”器物观下的胡琴艺术阐释[J]. 《信阳师范学院学报(哲学社会科学版)》, 2019, 39(6): 81-85. DOI: 10.3969/j.issn.1003-0964.2019.06.015
引用本文: 胡南, 李敬民. “制器尚象”器物观下的胡琴艺术阐释[J]. 《信阳师范学院学报(哲学社会科学版)》, 2019, 39(6): 81-85. DOI: 10.3969/j.issn.1003-0964.2019.06.015
HU Nan, LI Jingmin. Artistic Interpretation of Huqin under the Implements View of “Artifacts Made in Their Inherent Appearance”[J]. The journal of xinyang normal university (philosophy and social science edition), 2019, 39(6): 81-85. DOI: 10.3969/j.issn.1003-0964.2019.06.015
Citation: HU Nan, LI Jingmin. Artistic Interpretation of Huqin under the Implements View of “Artifacts Made in Their Inherent Appearance”[J]. The journal of xinyang normal university (philosophy and social science edition), 2019, 39(6): 81-85. DOI: 10.3969/j.issn.1003-0964.2019.06.015

“制器尚象”器物观下的胡琴艺术阐释

Artistic Interpretation of Huqin under the Implements View of “Artifacts Made in Their Inherent Appearance”

  • 摘要: 音乐艺术是文化的重要载体,而声音的载体——乐器则是立象尽意的最直接现象。中国胡琴的形制及其音色映射着中国古人对待音乐艺术的态度与观念。文章从“制器尚象”器物观影响下的胡琴形制确认、“制器尚象”器物观指导下的胡琴音色追求、“制器尚象”器物观支配下的胡琴音乐表现三个方面入手,对我国三大类型胡琴的形制、材料、音色和艺术特点以及它们之间的关系展开研究。

     

    Abstract: Music art is an important carrier of culture, and the carrier of sound, musical instrument, is the most straightforward phenomenon of "images for expression". The attitude and concept towards music and art by ancient Chinese is well epitomized by the shape, structure as well as timbre of Chinese huqin instruments overtime. This article studies the shape, structure, material, timbre as well as the artistic characteristics and the relationship between them to explain the impact on the shape, structure as well as timbre of huqin instruments from the implements view of "artifacts made in their inherent appearance", elaborating on the following three aspects:confirmation of the shape and structure of huqin, timbre of Chinese huqin as well as the musical performance of huqin.

     

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